Sound Design in Edinburgh
Creative Sound Design in Edinburgh
Immersive audio that brings stories and spaces to life. From film and TV to theatre, podcasts, exhibitions and branded content, Offbeat crafts soundscapes that move your audience.
Need Sound Design in Edinburgh for Your Next Project?
Contact Offbeat today to book our studio or request a tailored plan.
Request a quoteProfessional Sound Design Services
At Offbeat we blend decades of production experience with a creative ear for detail. We design atmospheres, Foley, effects and bespoke music cues that elevate dialogue and picture.
Our Edinburgh studio is equipped for broadcast-standard mixing and mastering, and we collaborate closely with directors, editors and curators to make sure every element serves the story.
Case Examples
The Female Archangels
We created sound effects for this audiobook. Intro sounds for chapters and background music during guided meditation
Unesco City Of Literature
Immersive sound effects for a tour of John Know House based on the Victorian novel, The Way Of All Flesh.
John Paul Getty Museum
Designed a layered ambient soundscape triggered by visitor movement, delivered as seamless stereo loops.
For Sound Design in Edinburgh for your next project,
contact Offbeat today to work locally or connect remotely.
Call Today!
FAQ
Sound design is the creation, recording and mixing of effects, Foley, ambiences and music to enhance film, theatre, exhibitions, podcasts and more.
Yes. We design and sync audio precisely to video cuts or stage cues.
Do you provide Foley recording?
Absolutely. We capture bespoke Foley in-studio or source from licensed libraries when appropriate.
Do you compose original music?
We can compose original music in many styles and produce short cues or themes, or source licensed music where needed.
Can you deliver for interactive / installation projects?
Yes. We supply seamless loops and stems tailored to apps, museum players or interactive triggers.
We use Protools and utilise Neumann, AKG, Sennheisser & Coles Microphones.
